Creating Delicate Gentle Magnificence Portraits with the Westcott FJ400


The Westcott FJ400 is a beast on the subject of creating in-studio portraits to your pictures shoots. Delicate mild magnificence portraits are not any exception. I like working with the Westcott lighting system and their softboxes. For my part, they’re a few of the finest in the marketplace, and you’ll’t beat the worth level. Prepared for some mushy mild magnificence portraits? Let’s get to it.

All proper everyone, I’m Sal Cincotta. Immediately we’re going to assault mushy mild magnificence portraits and we’ve accomplished that quite a bit on the channel as a result of I completely love them. So earlier than we get into gear, know-how, or how-to, let’s speak about what usually makes for a mushy mild magnificence portrait and why we even wish to use it.

On the finish of the day, the extra contrasty the sunshine, the extra focus, the extra specular it’s, the extra you might be highlighting imperfections within the pores and skin. That’s not going to be good for nearly anyone on this planet as a result of all of us have imperfections. So give it some thought, should you have been capturing a mountain vary with the solar setting at an angle, you’re going to see all these shadows. That’s what’s taking place on folks’s faces, highlighting their pores and displaying these imperfections. So how will we alter that? Nicely, that’s magnificence lighting.

Lighting Setup

What we wish is a big, mushy mild supply. We’re utilizing the Westcott FJ400 and their medium Octabox. I like their medium Octa, and I like their giant Octa too. The bottom line is, it’s all relative to your topic. So should you peek round right here, the nearer we transfer this to her, the softer and softer it’ll change into, and the much less contrasty and fewer specular it will likely be. That’s going to wrap round her face, creating softer shadows, which can assist with pore element and create what we’ll name magnificence lighting—that’s the last word aim. You don’t have to make use of solely an Octabox. There are magnificence dishes you should use, however it’s actually about ensuring we’ve obtained some even, generally even flat, lighting to provide this.

So we’re doing two issues—we’ve obtained two lights arrange right here, and we’re going to get dialed in. After all, we’re utilizing a lightweight meter. I take advantage of the Sekonic Lite Grasp Professional L-478D-U. The title is difficult—I’d relatively simply name it “mild meter, model two.” However no, we’ve obtained the Lite Grasp Professional L-478D-U. So, we’ll use that in the present day and get dialed in.

I’m at ISO 200, shutter pace 200, and handbook mode. After I’m within the studio utilizing strobes, I’m at all times in handbook mode—it simply makes life simpler. So, what we’re going to do is get a lightweight meter studying right here, and we’re at F4.5. However I even have a kicker mild on the background. On the background, I simply need slightly little bit of edge mild to create separation, and we’re utilizing the FJ80 II. Let’s see what we’re getting on that kicker mild.

So on that, I’m getting F2—simply over a cease much less, perhaps a cease and a half, nearer to 2 stops much less. 2.02. I’ll kick it up slightly, kick it up a notch. From the set off, I’m simply going so as to add yet another cease of sunshine. It will most likely push it to simply over 2.8. Do it yet another time and it’s 2.81. We’ve obtained 4.5, I imagine it was. 2.8—so simply over a one-stop distinction. That’s going to be sufficient to provide us the look we wish.

So that is so necessary with a lightweight meter—I can’t stress it sufficient. It simply makes life easy. I do know quite a lot of you wish to run and gun it, and I’d be mendacity if I mentioned I don’t try this generally too. However what I actually need is to have the ability to get dialed in. And look, we’re not in a studio area; we’re in a lounge with a backdrop up. The background is from Instinct—it’s the Tapestry, a part of their new wall assortment, and it’s completely lovely. Love what Lauren’s sporting—the tone on tone. Let’s get some killer portraits.

Settings: f/4.5 @ 1/200, ISO 200

Settings: f/4.5 @ 1/200, ISO 200

Settings: f/4.5 @ 1/200, ISO 200

So it’s price stopping right here for a second, guys. One thing that drives me nuts is once we’ve obtained legs, chest, and face all going through the identical route. I actually like angles and S-curves, if we are able to get that. So simply out of your perspective, should you’re watching, discover what occurs when her legs are going a technique after which she brings her chest and face the opposite means. A lot stronger portrait, in my view. All these tones look phenomenal. The sting mild is slightly too sizzling, so I’m going to come back down. I’ll come down by a cease and a half.

Settings: f/4.5 @ 1/200, ISO 200

Settings: f/4.5 @ 1/200, ISO 200

Settings: f/4.5 @ 1/200, ISO 200

It’s price noting, proper? We’re speaking about magnificence lighting, not essentially magnificence portraits. So I believe lots of people get labored up once I make a video and I’m like “magnificence portraits”—that’s not a magnificence portrait. Okay, relax, Carl. There’s a distinction between magnificence lighting and a magnificence portrait. A magnificence portrait can have magnificence lighting—most likely ought to—however a full portrait also can have magnificence lighting together with different directional lighting, and so forth. So what I’m actually attempting to concentrate on in the present day is simply massive, mushy magnificence lighting. Though we’re going to do a mixture of full physique and tight pictures, hopefully that makes slightly bit extra sense.

Remaining Photographs

Settings: f/4.5 @ 1/200, ISO 200

Settings: f/4.5 @ 1/200, ISO 200

Settings: f/4.5 @ 1/200, ISO 200

Settings: f/4.5 @ 1/200, ISO 200

Settings: f/4.5 @ 1/200, ISO 200

Settings: f/4.5 @ 1/200, ISO 200

Settings: f/4.5 @ 200, ISO 200

Settings: f/4.5 @ 1/200, ISO 200

Settings: f/4.5 @ 200, ISO 200

Settings: f/4.5 @ 1/200, ISO 200

Settings: f/4.5 @ 200, ISO 200

Settings: f/4 @ 1/200, ISO 200

Settings: f/4 @ 200, ISO 200

Settings: f/4 @ 1/200, ISO 200

Settings: f/4 @ 200, ISO 200

Settings: f/4 @ 1/200, ISO 200

Settings: f/4 @ 200, ISO 200

Settings: f/4 @ 1/200, ISO 200

Settings: f/4 @ 200, ISO 200

Settings: f/4 @ 1/200, ISO 200

All proper, everyone, that may be a wrap. Tell us which image is your favourite. However an important takeaway right here is realizing that, with only one mild and an edge mild—so two lights—you are able to do some unbelievable issues. Equally, you might have a one-light setup, just like the FJ400 and an Octabox. That’s my go-to on the subject of strobes. My setup is straightforward to make use of, fast, painless, and offers you lovely portraits. So hopefully that’s impressed you. We’ll see you within the subsequent video.



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